1/8/2023 0 Comments File count gear player![]() ![]() The gist of the press release says that a recording with specifications better than “CD-Quality” qualifies as a “hi-res audio” track or album AND can be accompanied by the associated “hi-res audio” logo. All of these recordings will sound like the artists, producers and engineers originally intended.” The next paragraph adds: “In addition to this definition, four different Master Quality Recording categories have been designated, each of which describes a recording that has been made from the best quality music source currently available. It defines high-resolution audio as “lossless audio that is capable of reproducing the full range of sound from recordings that have been mastered from better than CD quality music sources.” The formal definition they agreed to was intended to “convey a clear message” to all interested parties. It’s way past time for a reality check of what is and what isn’t high-resolution AND if it actually matters to audiophiles.īack in the early summer of 2014 after a series of protracted discussions, conference calls, and compromises, a press release titled, DEG, CEA, The Recording Academy and Major Labels Reach Agreement on Definition for High Resolution Audio was issued with minimal fanfare. And I’ve also been a sharp and vocal critic of the numerous false representations made by organizations, services, and industry types anxious to profit off of hi-res audio and music. I’ve been a strong and vocal advocate for real high-resolution recordings, given keynote addresses, served for five years on the high-end audio board at the CTA, wrote a comprehensive, 880-page book called Music and Audio: A User Guide to Better Sound, and participated on numerous panels focused on better fidelity and hi-res. ![]() Since that time, I’ve watched as the music and consumer electronics industries have embraced and promoted hi-res audio. In fact, my specialty audio label, AIX Records, is responsible for some of the very first albums recorded and released using 96 kHz/24-bit PCM on the newest incarnation of the DVD format – DVD-Audio discs. I was there at the introduction of this “new and improved” audio technology back in 2000. No matter what you call it, high-resolution audio is being aggressively promoted as the next major advance in music listening. SHARES Twitter 360 Facebook Email Print LinkedIn Pinterest SMS WhatsAppĮven a casual review of the usual audiophile websites, trade magazines, consumer electronic equipment ads, professional organizations (think: NARAS or the CTA), or content providers like HDTracks, Qobuz or the new Amazon Music HD streaming services reveals a substantial level of interest in hi-res audio, hi-res music or HD-Audio.
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